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準備万端
ボストン・バレエの「ドン・キホーテ」の公演に魅せられ、バレエを習うことにした雅子さん。友人の通うボストン・バレエの初心者向けクラスに参加して3週間がたちました。以前からバレエに興味があり、レッスンを受けた経験もある雅子さんには、すでにおなじみの練習内容で、クラスについていくのも苦になりません。
Gearing Up
By MASAKO YAMADA
I am now in my third week of taking ballet lessons at the Boston Ballet. For the first
couple of weeks, I danced in my socks. I thought this would be sufficient at first.
However, I have decided to take the advice of a friend who told me that dancing would be
a lot more fun if I had ballet slippers.
She is right: Taking up a hobby is a lot more fun when you have the proper equipment. I still remember the excitement of getting a piano after practicing on a toy
electric keyboard, or a sterling silver flute after years of tooting a cheap alloy
in the school band.
That said, I'm not an advocate of going overboard, especially at the beginning
levels. It's simply not necessary. There are some people in my beginner's ballet class
who wear silky tutus, and I think it's a bit too much.
It's true that for many people, the fantasy of ballet involves wearing a frilly
skirt and shiny satin shoes, but I suppose I take an equally silly pride in being a
purist: I chose the most practical canvas slippers the store had in stock.
I had never noticed the dance supply store before, even though I pass by it every
time I go to my piano lesson. It is located on the second floor of a very nondescript
row of stores. The sign for the store can barely be seen from the street.
Once you open the door, however, it's a different world. The rows of leotards and
costumes are certainly colorful, but what really struck me was the professionalism
of the store. There must have been dozens of kinds of dance shoes. I saw different
types and brands of pointe shoes, and many kinds of ballet slippers.
From the sheer selection of goods, I could tell immediately that the store attracts a loyal following of serious dancers. I especially liked that the store catered only
to those who knew of its existence: It did not make any attempt to attract random passersby with flashy displays.
I asked the sales clerk for help in buying basic ballet slippers, and he directed
me to a pile by the cash register stacked high with canvas slippers. They were not
wrapped in any packaging, but the sheer volume led me to believe that they were a
popular model.
There were other kinds of ballet slippers in the store, including glossy, pink
leather models, but I somehow trusted his judgment and I didn't ask any questions.
Besides, I liked the black, cloth slippers. They looked a lot like the slippers my
instructor usually wears.
I especially liked that the soles are split so that there's one piece of suede
under the ball of the foot and one piece of suede under the heel. The rest of the
slipper is made of canvas. This makes the fabric fit the foot better, and it looks
prettier when the toe is pointed.
The lessons have been going well. Thanks to the dancing lessons I took as a child and
the ballet classes I took in lieu of gym in college, I have not had any problems
keeping up in the beginner's class. I have read a lot about ballet in the past and
seen quite a few ballet productions, so even new steps have not been entirely foreign to me.
The ballet slippers have made certain steps less painful to execute, and, above
all, they are fun to wear.
The instructor does not really explain things for beginners. He simply conducts the
class like any other ballet class, only at a slower pace. He expects people to follow on
their own. This is good for those who are capable of mimicking others' moves, but not
so good for people who need step-by-step instruction or personal encouragement.
My friend, who has been taking lessons for a while, still doesn't know the names of
several steps that I've memorized just by reading about them.
One of the new men didn't even know the five positions when he walked in and
started taking the class. I have also seen a woman who can barely walk gracefully,
much less dance complex steps. I suppose that is the good thing about learning things in
the States.
An Italian friend couldn't believe that we have been taking lessons at a top ballet
school (where prima ballerinas occasionally take the same class). I feel grateful to
have the opportunity to improve.
I am now in my third week of taking ballet lessons at the Boston Ballet. For the first
couple of weeks, I danced in my socks. I thought this would be sufficient at first.
However, I have decided to take the advice of a friend who told me that dancing would be
a lot more fun if I had ballet slippers.
She is right: Taking up a hobby is a lot more fun when you have the proper equipment. I still remember the excitement of getting a piano after practicing on a toy
electric keyboard, or a sterling silver flute after years of tooting a cheap alloy
in the school band.
That said, I'm not an advocate of going overboard, especially at the beginning
levels. It's simply not necessary. There are some people in my beginner's ballet class
who wear silky tutus, and I think it's a bit too much.
It's true that for many people, the fantasy of ballet involves wearing a frilly
skirt and shiny satin shoes, but I suppose I take an equally silly pride in being a
purist: I chose the most practical canvas slippers the store had in stock.
I had never noticed the dance supply store before, even though I pass by it every
time I go to my piano lesson. It is located on the second floor of a very nondescript
row of stores. The sign for the store can barely be seen from the street.
Once you open the door, however, it's a different world. The rows of leotards and
costumes are certainly colorful, but what really struck me was the professionalism
of the store. There must have been dozens of kinds of dance shoes. I saw different
types and brands of pointe shoes, and many kinds of ballet slippers.
From the sheer selection of goods, I could tell immediately that the store attracts a loyal following of serious dancers. I especially liked that the store catered only
to those who knew of its existence: It did not make any attempt to attract random passersby with flashy displays.
I asked the sales clerk for help in buying basic ballet slippers, and he directed
me to a pile by the cash register stacked high with canvas slippers. They were not
wrapped in any packaging, but the sheer volume led me to believe that they were a
popular model.
There were other kinds of ballet slippers in the store, including glossy, pink
leather models, but I somehow trusted his judgment and I didn't ask any questions.
Besides, I liked the black, cloth slippers. They looked a lot like the slippers my
instructor usually wears.
I especially liked that the soles are split so that there's one piece of suede
under the ball of the foot and one piece of suede under the heel. The rest of the
slipper is made of canvas. This makes the fabric fit the foot better, and it looks
prettier when the toe is pointed.
The lessons have been going well. Thanks to the dancing lessons I took as a child and
the ballet classes I took in lieu of gym in college, I have not had any problems
keeping up in the beginner's class. I have read a lot about ballet in the past and
seen quite a few ballet productions, so even new steps have not been entirely foreign to me.
The ballet slippers have made certain steps less painful to execute, and, above
all, they are fun to wear.
The instructor does not really explain things for beginners. He simply conducts the
class like any other ballet class, only at a slower pace. He expects people to follow on
their own. This is good for those who are capable of mimicking others' moves, but not
so good for people who need step-by-step instruction or personal encouragement.
My friend, who has been taking lessons for a while, still doesn't know the names of
several steps that I've memorized just by reading about them.
One of the new men didn't even know the five positions when he walked in and
started taking the class. I have also seen a woman who can barely walk gracefully,
much less dance complex steps. I suppose that is the good thing about learning things in
the States.
An Italian friend couldn't believe that we have been taking lessons at a top ballet
school (where prima ballerinas occasionally take the same class). I feel grateful to
have the opportunity to improve.
Shukan ST: May 5, 2000
(C) All rights reserved
- sufficient
- 十分
- ballet slippers
- バレエシューズ(slippers は「舞踏用の軽い上靴」)
- Taking up 〜
- 〜 を始める
- proper equipment
- きちんとした装具
- sterling silver flute
- 純銀製のフルート
- tooting
- 吹き鳴らす
- alloy
- 合金製のもの
- That said
- そうは言っても
- (am)not an advocate of going overboard
- 極端に走ることがいいとは思わない(advocateは「主張者」)
- silky tutus
- シルクのチュチュ(バレエ用の短いスカート)
- frilly
- フリルの付いた
- shiny satin
- 光るサテンの
- silly
- ばかげた
- purist
- 純粋主義者
- canvas
- キャンバス地の
- had in stock
- 在庫にあった
- dance supply store
- ダンス用品店
- nondescript
- 地味で目立たない
- row of 〜
- 〜 の列
- sign
- 看板
- can barely be seen
- ほとんど見えない
- costumes
- 衣装
- what really struck me was
- 私を本当に驚かせたのは
- professionalism
- プロ意識
- dozens of 〜
- 数十の 〜
- pointe shoes
- ポアント(トーシューズ)
- From the sheer 〜
- 〜 そのものから
- immediately
- 直ちに
- attracts a loyal following of 〜
- 〜 の得意客を引きつける
- catered 〜
- 〜 に提供する
- random passersby
- 通りがかりの客
- flashy displays
- 華やかな飾り付け
- sales clerk
- 店員
- directed 〜 to 〜
- 〜 を 〜 に案内した
- (a pile)stacked high with 〜
- 〜 が高々と積まれた山
- cash register
- レジ
- glossy
- つやのある
- judgment
- 判断
- soles
- 足底
- are split
- 分かれている
- suede
- スエード
- ball of the foot
- 母子球(足の親指の付け根のふくらんだ部分)
- fabric
- 生地
- when the toe is pointed
- つま先を伸ばしたとき
- in lieu of 〜
- 〜 の代わりに
- gym
- 体育
- keeping up
- ついていく
- productions
- 公演
- have not been entirely foreign to me
- 私に全くなじみがないわけではなかった
- execute
- こなす
- conducts
- 指導する
- mimicking
- まねをする
- encouragement
- 激励
- five positions
- 5つの基本的な足のポジション
- gracefully
- 優雅に
- prima ballerinas
- プリマバレリーナ(主役の踊り子)
- occasionally
- しばしば