このページはフレーム対応ブラウザ用に作成されています。下のリンクは非フレーム使用ページですのでそちらをご覧ください。
この記事をプリントする
張り切りすぎて
バレエレッスンを始めて1ヵ月以上がたちました。初心者向けのコースに参加している雅子さんは、以前ダンスの経験もあり、コース内容についていくのに何の問題もありませんでした。ところが先日、いつものと違う先生が指導したクラスで張り切りすぎて、転倒。数日たった今でも、足には大きな青あざが残っています。
Too Much Too Soon
By MASAKO YAMADA
I have been taking ballet lessons with a friend for a little over a month now. Last
week, we went to our lesson a day after we watched a new ballet by the Boston Ballet. We
were both inspired by their performance of "Cleopatra" and we were extra eager
to take the class.
The woman teaching the class was not our usual teacher. She told us that she would
be substituting because our regular teacher had just had an operation. This was fine
with me. The new teacher was an attractive woman who had obviously done a lot of
teaching and performing. Her feet looked gorgeous whenever she pointed her toes or
turned out her legs, even when she demonstrated the most mundane steps.
Although it was clear that she'd had serious ballet training from the time she was
small, she told us that she'd also taken a lot of adult ballet classes and that she
understood the needs of adult students.
But I got the impression that her expectations for beginning adult students was
rather lofty. I say this because the whole ballet class proceeded at a tempo much
faster than our usual ballet class. She made us do moves that many of us found very
challenging.
Granted, she always made sure that we all understood what was going on by asking
us whether we were familiar with the step. However, the actual execution often proved
much harder than we thought. Even some of the students who usually do very well seemed
to be lost without the familiar steps.
A new student who was very clearly some kind of professional ballerina (she had
walked into the wrong studio) told us that she didn't realize that it was a beginner's
class until the end. She was probably the only one who followed the teacher
completely. I found myself bumbling through the class.
The combination of having an unfamiliar teacher, having a surplus of enthusiasm
after having watched a new ballet and not having enough time to stretch was probably not
very good for me. I'm a beginning dancer, after all. These factors led to my losing my balance during one of the routines. I twisted my ankle when I landed and fell
to the ground.
The teacher ran over to me and asked me whether I needed help, but she told the
others to continue dancing (yes, the show must go on). I crawled to the side of the
studio and spent the remainder of the class watching the others. Although I found even
the simplest stretches too painful to do, I didn't feel that I needed any special attention. I was even able to walk back to the subway station by myself.
The next day, my foot felt far worse. I couldn't put any weight on it. I couldn't
even bear to have my foot touch the floor while I was sitting, much less stand on it.
I knew I wouldn't be able to get to work, so I contacted the people in my lab and told
them that I'd be taking the day off. I spent most of the day in bed and hopped to the
kitchen and bathroom on one foot when I needed to.
Thanks to the long rest, ice packs and hot baths, I was able to go back to
school the following day. Many of my lab mates found it hilarious that I had fallen in
my ballet class. They probably envisioned me stumbling about like an elephant in a
class full of snooty, elegant nymphs. I didn't blame them, since I thought it
was funny too. My attempts at dancing like the queenlike Cleopatraliterally brought me to my knees.
A few days have passed since, and my foot feels a lot better now. However, there is
still a large purple bruise on my foot, and this bruise apparently looks scary to
others. It's a reminder that I still must be careful when I walk, since my foot has
not healed completely. I still don't know whether it would be a good idea to go to my
ballet lesson this week. I know that at the very least, I should be conservative in my
attempts to do unfamiliar steps.
I was walking near my apartment building recently when I saw a pair of crutches in
front of an adjacent apartment building. There was a sign saying "FREE" nearby.
Apparently, the owner of the crutches didn't need them anymore and wanted somebody to
take them. Unfortunately, it was a couple of days too late for me.
I have been taking ballet lessons with a friend for a little over a month now. Last
week, we went to our lesson a day after we watched a new ballet by the Boston Ballet. We
were both inspired by their performance of "Cleopatra" and we were extra eager
to take the class.
The woman teaching the class was not our usual teacher. She told us that she would
be substituting because our regular teacher had just had an operation. This was fine
with me. The new teacher was an attractive woman who had obviously done a lot of
teaching and performing. Her feet looked gorgeous whenever she pointed her toes or
turned out her legs, even when she demonstrated the most mundane steps.
Although it was clear that she'd had serious ballet training from the time she was
small, she told us that she'd also taken a lot of adult ballet classes and that she
understood the needs of adult students.
But I got the impression that her expectations for beginning adult students was
rather lofty. I say this because the whole ballet class proceeded at a tempo much
faster than our usual ballet class. She made us do moves that many of us found very
challenging.
Granted, she always made sure that we all understood what was going on by asking
us whether we were familiar with the step. However, the actual execution often proved
much harder than we thought. Even some of the students who usually do very well seemed
to be lost without the familiar steps.
A new student who was very clearly some kind of professional ballerina (she had
walked into the wrong studio) told us that she didn't realize that it was a beginner's
class until the end. She was probably the only one who followed the teacher
completely. I found myself bumbling through the class.
The combination of having an unfamiliar teacher, having a surplus of enthusiasm
after having watched a new ballet and not having enough time to stretch was probably not
very good for me. I'm a beginning dancer, after all. These factors led to my losing my balance during one of the routines. I twisted my ankle when I landed and fell
to the ground.
The teacher ran over to me and asked me whether I needed help, but she told the
others to continue dancing (yes, the show must go on). I crawled to the side of the
studio and spent the remainder of the class watching the others. Although I found even
the simplest stretches too painful to do, I didn't feel that I needed any special attention. I was even able to walk back to the subway station by myself.
The next day, my foot felt far worse. I couldn't put any weight on it. I couldn't
even bear to have my foot touch the floor while I was sitting, much less stand on it.
I knew I wouldn't be able to get to work, so I contacted the people in my lab and told
them that I'd be taking the day off. I spent most of the day in bed and hopped to the
kitchen and bathroom on one foot when I needed to.
Thanks to the long rest, ice packs and hot baths, I was able to go back to
school the following day. Many of my lab mates found it hilarious that I had fallen in
my ballet class. They probably envisioned me stumbling about like an elephant in a
class full of snooty, elegant nymphs. I didn't blame them, since I thought it
was funny too. My attempts at dancing like the queenlike Cleopatraliterally brought me to my knees.
A few days have passed since, and my foot feels a lot better now. However, there is
still a large purple bruise on my foot, and this bruise apparently looks scary to
others. It's a reminder that I still must be careful when I walk, since my foot has
not healed completely. I still don't know whether it would be a good idea to go to my
ballet lesson this week. I know that at the very least, I should be conservative in my
attempts to do unfamiliar steps.
I was walking near my apartment building recently when I saw a pair of crutches in
front of an adjacent apartment building. There was a sign saying "FREE" nearby.
Apparently, the owner of the crutches didn't need them anymore and wanted somebody to
take them. Unfortunately, it was a couple of days too late for me.
Shukan ST: June 2, 2000
(C) All rights reserved
- (were)inspired by 〜
- 〜 に影響を受けた
- performance
- 公演
- Cleopatra
- クレオパトラを題材にしたバレエ
- extra eager
- より一層熱心な
- be substituting
- 代理を務める
- operation
- 手術
- attractive
- 魅力的な
- obviously
- 明らかに
- gorgeous
- 華麗な
- pointed her toes
- つま先を伸ばした
- turned out her legs
- 足を外側に向けた
- mundane
- ありふれた
- impression
- 印象
- expectations
- 期待
- rather lofty
- かなり高い
- proceeded
- 進んだ
- challenging
- 難しい
- Granted
- しかしながら
- made sure
- 確かめた
- execution
- 動き
- completely
- 完全に
- I found myself bumbling through 〜
- 〜 の間中、へまをし続けた
- surplus of 〜
- あり余る 〜
- enthusiasm
- 意気込み
- factors
- 要素
- 〜 led to my losing my balance
- 〜 が原因となって私はバランスを失った
- routines
- 一連のダンスステップ
- twisted my ankle
- 足首をひねった
- landed
- 着地した
- the show must go on
- ショーは続けなければならない
- crawled to the side
- 隅まではって行った
- remainder
- 残り
- special attention
- 医者に診てもらうこと
- subway
- 地下鉄
- felt far worse
- かなり悪化していた
- couldn't put any weight on it
- 足に全く体重をかけられなかった
- bear
- 我慢する
- lab
- 研究室
- (would)be taking the day off
- 休む
- Thanks to 〜
- 〜 のおかげで
- rest
- 休養
- ice packs
- 氷のう
- found it hilarous
- こっけいに思った
- envisioned 〜
- 〜 を想像した
- stumbling about like an elephant
- ゾウのように不器用によろめいている
- snooty
- 高尚な
- elegant
- 上品な
- nymphs
- 妖精のような女性
- I didn't blame them
- 彼らを責めはしなかった
- attempts
- 試み
- literally
- 文字どおり
- 〜 brought me to my knees
- 〜 が私に(転んで)ひざを付かせた(「私を屈服させた」の意味にもなる)
- bruise
- あざ
- scary
- こわい
- reminder
- 思い出させるもの
- has not healed
- 治っていない
- conservative
- 控えめな
- unfamiliar
- 不慣れな
- crutches
- 松葉杖
- adjacent
- 隣接した